¸,.-~*´¨¯¨´*·~-.¸¸,.-~*´¨¯ᵗʰ⫮ˢ Ϻᄋᄁ†ᅢ ⫮ᶰ ᶰᵉᵗ⋆ᵃʳᵗ

.̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̨̨̨̨̨̨̨̨̨̨̨̨.̸̸̨̨ↂ⃝⃓⃙⃚⃘۝ↂ⃝⃓⃙⃚⃘.̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̸̨̨̨̨̨̨̨̨̨̨̨̨.̸̸̨̨it's a new year ²⁰¹⁷ᵎᵎᵎ

∻ ∼ ∽ ∾ ∿ ≀
∻ ∼ ∽ ∾ ∿ ≀, digital medium, 2016
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╰╮You can tell I’m alive and well because I weep continuously.
﹅Opening Reception: January 13, 6–9pm﹅January 13 – February 26, 2017﹅Knockdown Center﹅Knockdown Center﹅52-19 Flushing Ave, Queens, New York
·÷±‡± ±‡Knockdown Center is pleased to present “You can tell I’m alive and well because I weep continuously.,” an exhibition that features David Court, Erin Diebboll, David Horvitz, Anouk Kruithof, Amanda Turner Pohan, and Steven Zultanski, curated by Alison Burstein.

The show brings together the work of five artists whose techniques resonate with Agony’s provocative alchemical idiom: these artworks quantify bodily and affective features, apply logical and scientific reasoning to absurd ends, and manipulate the linkages between language and things. By placing the objects in calculated proximity to one another—and in relation to the connective tissue of Zultanski’s text—the exhibition format effects its own dynamic shift, conjuring poem-as-exhibition.

“You can tell I’m alive and well because I weep continuously.” invites viewers to inspect examples of morphed materiality within and between the elements on view, and thereby creates opportunities to consider the potential (and celebrate the futility) of giving stable form to ephemeral traits or experiences
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╰╮Without a Body | Ivana Bašić, FlucT & Sable Elyse Smith ༄Hosted by SIGNAL
﹅Andrea Rosen Gallery 525 W 24th St, New York, New York﹅January 6 – February 4, 2017
The body is the boundary point of overt social control — something that can be worked, borrowed against, confined, a unit that can be processed. The artists in this exhibition share a concern with the body as the locus of dispute between the world and the self, in conflicts both physical and psychological, and the ways in which the systems of social control through which our bodies must move work within and without us.

FlucT is the collaboration between performers Sigrid Lauren and Monica Mirabile, who create highly charged choreographic works exploring social control and power dynamics enacted upon the body. Their “violently intimate” dance practice frequently sees their bodies colliding and entangling, and the two artists locked in confrontation with the audience and each other.
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╰╮In)compatible ༄Hosted by Interstitial
﹅January 14 6 PM – 9 PM PST﹅Interstitial﹅6007 12th Ave S, Seattle, Washington
Interstitial presents “(in)compatible”, a group exhibition with new works from renowned media artists Dylan Neuwirth, Carla Gannis, Faith Holland, and Kathleen Daniel that explore the origins of online culture, structure, and aesthetic. Through sculpture, video, and installation works, this exhibition explores a new and dynamic area of contemporary art: the post-internet movement.
“(in)compatible” greets the viewer with Daniel’s otherworldly video work tucked into the entrance corner of the gallery. Suspended monitors create a false wall displaying a triptych of Gannis’s recent video work “A Subject Self-Defined.” Sculptural objects by Holland examine the “anthropomorphized interaction of technology with itself.” Neuwirth presents a series of illuminated glass sculptures containing helium, neon, argon, krypton, and xenon. Together the exhibited works form an eclectic expression of the current digital moment.
This exhibition is presented in collaboration with I Want You Studio.
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╰╮Game Over FaceBook hosted by ݕ GameOver FB Ξ̿̿̿̿..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ ᚙ
presented by Hacker Gallery ه҈̿҈̿҈̿҈̿҈̿҈̿҈̿҈̿҈̿҈̿҈̿҈̿҈̿҈

﹅January 1, 2017 – January 13﹅

..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚Game Over FaceBook ݕ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ GameOver FB ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚Game Over FaceBook ݕ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ GameOver FB ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚Game Over FaceBook ݕ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ GameOver FB ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚Game Over FaceBook ݕ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ GameOver FB ….ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚Game Over FaceBook ݕ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ GameOver FB ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚….ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚Game Over FaceBook ݕ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ GameOver FB ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚Game Over FaceBook ݕ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ GameOver FB ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚….ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚Game Over FaceBook ݕ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ GameOver FB ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚Game Over FaceBook ݕ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ GameOver FB ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚Game Over FaceBook ݕ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ GameOver FB Ξ̿̿̿̿….ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚Game Over FaceBook ݕ..ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚ GameOver FB ş̨̧̧̨̨̨̩̦̤̥̘̗̗̜̕̚

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╰╮MM/1: When removed from view, removed from existence
presented in part by ANTImateria
﹅Thursday, January 19 at 5 PM – 7 PM﹅The Winchester Centre for Global Futures in Art Design & Media﹅Park Avenue, SO23 8DL Winchester, Hampshire
·÷±‡± ±‡This is the first show of meta/motion, a series of exhibitions that proposes an exchange of digital based artwork between Latinamerican artists and artists from other places across the globe.
When removed from view, removed from existence features the work of:
Luis Nava (Mexico, 1986), LATS (Mexico, 1983), Diego Ortega (Mexico, 1993), Miguel Ángel Salazar (Mexico, 1988), Monica Lopez (Mexico, 1993), Gibrann Morgado (Mexico) & Salvador Loza (Mexico, 1988) and will be accompanied by a public program, please find all the information about this events attached in the comments
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﹅DEADLINE: Monday January 16th﹅EXHIBITION: January 22nd﹅Otion Front Studio﹅1196 Myrtle Ave, Brooklyn, New York﹅SUBMIT: sigridlauren@gmail.com
January installment of Otion Front’s monthly dance video screening series.
·÷±‡± ±‡The Tetris effect occurs when avid players hallucinate game pieces and patterns in the real world and in thoughts, mental images, and dreams. Sea legs describes the perception of sailors who find their bodies rock as if on a boat even after arriving on land. Highway hypnosis is a trancelike mental state caused by driving for long periods of time while staring at a fixed horizon. This open call seeks dance oriented videos that survey attention absorbing tasks, repetitive gestures, images, and action that provoke fixation, and activities that require intense focus and lead to dissociation. Shortcut to Hell charts new directions for muscle memory and conditioned reflexes.
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Sam Cannon, Untitled 2016

Julian Glander, kwurdy2.jpeg, 2016

╰╮Mana BSMT presents: Surface
﹅Public reception: January 21 6PM – 10PM﹅January 21, 2017–May 31, 2017﹅888 NEWARK AVE. JERSEY CITY, NJ
Surface is a group exhibition opening in Mana BSMT’s new 3,000 square foot gallery. It will feature work by five Mana BSMT Residents who work primarily as GIF artists: Matthias Brown (Traceloops), Sam Cannon, Julian Glander, Thoka Maer, and Hayden Zezula (Zolloc). Until now, their artwork has been created for and seen on screens, and shared across social platforms. This exhibition is their first exploration into creating work that can only be experienced in a physical space: sculpture, installation, performance, and gaming. By eliminating screens and creating site-specific experiences, this exhibition will illustrate a collective surfacing from the digital to the physical realm.
Join the conversation online using #SurfaceBSMT
㋡ ㋡ ㋡ ㋡ ㋡ ㋡ ᙚᵐⁱᒻᵉ¨̮♡©
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